return to Words & Music Shop main page return to
ML Hart Home

AJRJTJIJSJTJJJPJRJOJFJIJLJE

TOP
Jerry Hadley takes a break during rehearsals for "The Conquistador" at San Diego Opera JERRY HADLEY
1952 - 2007

Another of the quintessentially "American" singers, Jerry Hadley grew up in the Midwest listening to his Neapolitan grandfather's records. His passion for communicating with an audience stems from this early exposure to singers, from Caruso to Sinatra.

Jerry Hadley received international acclaim early in his career for the great Mozart operatic tenor roles, as well as those of the French romantic and bel canto eras. He is equally at home in the worlds of Broadway musical theater, operetta and popular song - and is also noted for 20th-century works in English such as Leonard Bernstein's Candide, and Kurt Weill's The Rise and Fall of the City of Mahagonny, a role he finds especially challenging because of the darkness of the character of Jimmy Mahoney.

Relishing the challenge of new works, Jerry Hadley was Paul McCartney's choice to appear with Dame Kiri te Kanawa in the former Beatles' composition, The Liverpool Oratorio. Hadley also performed in Ned Rorem's song cycle, The Auden Poems; and a commissioned piece by composer Daniel Steven Crafts, The Song and the Slogan, based upon Carl Sandburg's "The Prairie". He recently created the title role for the 1999 world premiere of John Harbison's opera The Great Gatsby at the Metropolitan Opera; and the groom's father in William Bolcom's The Wedding for Chicago Lyric Opera. In 1997, Hadley created the title role in Myron Fink's opera, The Conquistador, based on a true story of the Spanish Inquisition in the New World, which premiered at San Diego Opera - there is extensive documentation on this project - see below for links.

Jerry Hadley has a warm, easy-going sort of personality, making friends in his travels throughout the world. He's described in most interviews as "affable," but he also brings an intelligent curiosity to his work along with a scholarly approach to researching new roles. Much of his attention is given to preserving and presenting neglected works by American composers, particularly operas and theatre pieces written in the early 20th century. Hadley's extensive discography reflects his eclectic musical interests.

 

Taking on the role of the King... ...in the makeup/wig room for "Idomeneo" at Santa Fe Opera

 

Check below for information about recordings and links to other websites for more information. Jerry Hadley was featured in ML Hart's recent book The Art of Making Opera, and is profiled for her upcoming book TENORS: Passion and Glory at the Opera. Return to ML Hart's website where you can find a number of photographs from rehearsal and performance of the tenor's roles -- Don Luis de Carvajal, Des Grieux, and Idomeneo.


Operetta 101 selections, mostly Franz Lehar, sung beautifully - Jerry Hadley is first and foremost a great communicator when it comes to song, no matter the language. From Schön Ist Die Welt to Dein Ist Mein Ganzes Herz, with some other gems inbetween.
With frequent collaborator, Richard Bonynge.

order VIENNA

CLICK ON THE CD COVER TO ORDER DIRECTLY

 

XXX

 

ADDITIONAL RECORDINGS FEATURING JERRY HADLEY

click on the picture to order the CD

 
order THE RAKE'S PROGRESS order WERTHER order THE LAND OF SMILES order SUSANNAH
THE RAKE'S PROGRESS
Igor Stravinsky

Upshaw, Ramey / Nagano

WERTHER
Jules Massenet

von Otter / Nagano

THE LAND OF SMILES
Franz Lehár 

Gustafson / Bonynge

SUSANNAH
Carlisle Floyd

Studer, Ramey / Nagano


order CANDIDE order SHOWBOAT order GIUDITTA order OPERA DUETS
CANDIDE
Leonard Bernstein

Anderson, Ludwig, Gedda, Ollmann, Green  / Bernstein

Probably the wittiest, most satirical piece ever written - presented as a musical on Broadway, it properly belongs in the opera house.

SHOWBOAT
Jerome Kern

Stratas, von Stade, Hubbard /  McGlinn
The conductor is a music researcher and has restored much of the original score. Excellent performances, notably by Bruce Hubbard; also included are 12 tracks of cutouts/alternate songs.

GIUDITTA
Franz Lehár

Riedel / Bonynge
Best known for the soprano showpiece (here tamely translated as "On my lips every kiss is like wine"...) and smashingly performed by Deborah Riedel -  there are also star turns for the tenor in this operetta.

HADLEY & HAMPSON
Great Opera Duets

Regrettably, this doesn't quite capture the spirit of fun these two singers have when  performing this as a live concert, ending in a terrific version of "Anything You Can Do, I Can Do Better..." but it's a great album, anyway.


In the Real World Neopolitan Songs The Age of Bel Canto Standing Room Only
IN THE REAL WORLD A SONG OF NAPLES THE AGE OF BEL CANTO STANDING ROOM ONLY
these 4 can be tough to find... Barnes&Noble online claims to have some; certainly it's worth trying... Borders online, CDNOW, TowerRecords... used CD stores, too... or try eBay for a best bet

 


MORE ABOUT JERRY HADLEY

Los Angeles Times obituary

FanFaire - The Webzine of Classical Music
Jerry Hadley &The Conquistador

ML Hart Website:     The Conquistador     The Art of Making Opera
PASSION & GLORY AT THE OPERA - The Tenor Book

 

return to Words & Music Main Page

return to Words & Music - Tenors

questions/
comments
e-mail ML Hart
send e-mail

 

 


all reviews by ML Hart except as noted otherwise
original content ©2005 ML Hart, graphics ©1999 ML Hart and images ©1999 ML Hart except CD covers or where noted

black & white portrait of Jerry Hadley by ML Hart - from rehearsal for The Conquistador, San Diego Opera 1997

no part of this page, site, or any components may be borrowed, downloaded, acquired, or otherwise
used by any person(s) without the express written consent of ML Hart
- all rights reserved -


what is copyright all about?